IDEOLOGICAL-STYLISTIC REALITIES OF THE SOVIET ART THE SECOND HALF OF THE 1930s AND PORTRAIT PAINTING OF N. A. RUSAKOV (1888—1941)

Authors

  • Galina Semenovna Trifonova Author

Abstract

The author refers to the period of formation the program of socialist realism as a
method and style of art in the second half of the 1930s. A close relationship with the party
ideology, its power over the art, however, did not prevent the birth along with officious
of valuable art works that reflected the face of time. The main interest for the study in
this article is the regional peripheral art of socialist realism, namely paintings by talented
artist of the South Ural Nicholaу Rusakov. Research is based on a broad background
representative for social realism phenomena and events, involving documentary sources,
including previously unpublished and little-known body of works by Rusakov. The author
draws to material that complements and clarifies contradictory picture of problematic
periods of Russian art — socialist realism of the Stalin era of the 1930s.

Author Biography

  • Galina Semenovna Trifonova

    the senior lecturer of chair of art histiry and cultural
    science of the South-Ural State University (Chelyabinsk), the candidate of historical
    sciences, member of the Union of artists of Russia. Area of scientific interests — domestic
    art, классическое искусство Европы, art culture and creativity of artists of Southern
    Ural Mountains, museology. The author of monographies, catalogues, albums, scientific
    articles on the specified problematics.

Issue

Section

Art History